Cue the Music! Now, How Do We Get Here?

Our panel of experts will discuss the challenges of getting great music for ANY project & for ANY budget. How much does great music cost? What do I budget for music? Should I use original music or licensed music & what is the difference? What is the difference between a Composer & a Music Supervisor? How do I find the right composer for my project? Who OWNS the music created for my project? What are the advantages to scoring in Los Angeles or New York, over, say London or Prague? With release windows simultaneously shrinking right along with the budget for most projects, how does a producer/director on any project effectively & continually keep the critically important category of MUSIC in a position of importance, so as not to be lost or compromised to the marketing or production budget

Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.

Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.

Dennis Dreith

Magic Closet Music

Maura Duval Griffin

Audio Machine

Graham Reynolds

Golden Hornet Project Inc

Kim Roberts-Hedgpeth

Film Musicians Secondary Markets Fund

Details

Primary Entry:
Platinum Badge
Film Badge
Secondary Entry:
Music Badge
Interactive Badge
Format:

Panel

Type:

Session

Track:

Film & TV Industry

Level:

Advanced