Pint-sized, pink-haired and packed full of avant-pop gems, FEMME is a 'one-woman powerhouse' (Annie Mac, BBC Radio 1) whose snappy tunes and spectacular live show have earned her a never-increasing army of enthusiastic fans, playfully referred to as the Bullet Girls and Fever Boys. From sound-tracking catwalk shows by Stella McCartney to touring the USA with Charli XCX and Elliphant, FEMME's feisty attitude has seen her find new friends and engage new followers wherever she's played.
FEMME's fiercely independent approach and funky, colourful music makes her stand out against an array of identikit pop clones. While hits like 'Fever Boy', 'S.O.S' and 'High' have caught the attention of national newspapers like the New York Times ('A New Voice for the Girl-PopRevolution') and Mail Online ('Set to be your favourite pop star crush'), FEMME has found favour not only with style magazines like Dazed & Confused, Nylon Magazine an...
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Pint-sized, pink-haired and packed full of avant-pop gems, FEMME is a 'one-woman powerhouse' (Annie Mac, BBC Radio 1) whose snappy tunes and spectacular live show have earned her a never-increasing army of enthusiastic fans, playfully referred to as the Bullet Girls and Fever Boys. From sound-tracking catwalk shows by Stella McCartney to touring the USA with Charli XCX and Elliphant, FEMME's feisty attitude has seen her find new friends and engage new followers wherever she's played.
FEMME's fiercely independent approach and funky, colourful music makes her stand out against an array of identikit pop clones. While hits like 'Fever Boy', 'S.O.S' and 'High' have caught the attention of national newspapers like the New York Times ('A New Voice for the Girl-PopRevolution') and Mail Online ('Set to be your favourite pop star crush'), FEMME has found favour not only with style magazines like Dazed & Confused, Nylon Magazine and Vogue ('Fashion's Favourite New Pop Star') but with a plethora of alternative taste-makers including Noisey ('FEMME's been killing it lately'), Wonderland Magazine ('Big, ferocious avant-pop') and The Line Of Best Fit ('silver-plated earworms and enormous electro-pop motifs).
Similarly, FEMME's artistic niche, nestled between polished pop and free-spirited, old-school approachability, has seen her being championed by both BBC Radio 1 and BBC Radio 6 Music, with DJs like Huw Stephens and Lauren Laverne regularly singing her praises. Her distinctive music, a mixture of addictive beats, sassy delivery and effervescent melodies, has been honed over many late nights in the studio where FEMME assumes total control over every stage of production, from song-writing to mixing.
Indeed, as well as writing and producing every track, she also directs and edits her own music videos and choreographs the moves she and her backing dancers have been pulling off across continents. At a time when so many stars are found on 'reality' audition shows and have every facet of their career sculpted by Svengalis and strategised by focus groups, you won't find any artists more real than FEMME.
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