Matias Aguayo, Chilean-born and German-raised, has made a hugely varied body of genre defying/ melding work – a blend of deep shadows framed by blinding tropical sun. No matter the tag placed on his tracks, the primary focus and platform for buil- ding his music is, what he has always considered his main instrument, his voice. Calling upon his young adult background within the theatre (where he was directing, acting, and performing) Aguayo uses his voice to slip into different roles and imitate sounds to creating an aural illusion. This allows him to
use a handful of machines and a microphone, to creating sonic ambiguity between vocals and instrumentation, bringing a surge of spontaneity to his recordings and intensely reactive improvisational element live sets as he feeds off the audience and layers his narratives.
Kompakt, the legendary Cologne-based techno label, has supported and released his music since his project C...
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Matias Aguayo, Chilean-born and German-raised, has made a hugely varied body of genre defying/ melding work – a blend of deep shadows framed by blinding tropical sun. No matter the tag placed on his tracks, the primary focus and platform for buil- ding his music is, what he has always considered his main instrument, his voice. Calling upon his young adult background within the theatre (where he was directing, acting, and performing) Aguayo uses his voice to slip into different roles and imitate sounds to creating an aural illusion. This allows him to
use a handful of machines and a microphone, to creating sonic ambiguity between vocals and instrumentation, bringing a surge of spontaneity to his recordings and intensely reactive improvisational element live sets as he feeds off the audience and layers his narratives.
Kompakt, the legendary Cologne-based techno label, has supported and released his music since his project Closer Musik (2001 – 2003), releasing his first solo record Are You Really Lost (2005), his second album Ay Ay Ay (2009), and continues to do so, releasing his latest EP, Legende (2014).
On his travels and tours, whether in Buenos Aires forming an arts and music project Juventud Clandestina [Clandestine Youth], or later street party happenings, or thro- wing underground parties in Cologne (Inspiring his A Night At The Tilehouse EP, SoulJazz Records-2007), Matias Aguayo has a magnetic personality that draws him to misfits and outsiders from all over the world that are making unique music and are free-thinking with regards to the musical pro-
cess. Not one of these people would fit into a specific genre or school. He created Cómeme as a home for this motley crew.
Starting in 2009 Cómeme, is a loosely organised, yet flourishing complex of activity, that eschews tradi- tional label strategies in favour of a collective that closely involves his friends and label-mates.
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