credit: Kasey Warne
Music has always been a mirror for electronic pop adventurer BABii – a place where “I can dig out demons from the basement of my brain and set them on fire,” as the singer-producer puts it. Among her songs’ skittering beats and fractured synths are reflections of her deepest self that she wouldn’t otherwise know how to access. “It’s always a cathartic process that helps my mind feel less dusty and disorganised,” the Margate artist explains. “But this album was definitely a new extreme...” She’s talking about MiiRROR – a record, book and accompanying alternate reality game that required new heights of self-reflection to create. Written, produced and creative-directed by the production polymath, real name Daisy Emily Warne, MiiRROR explores “the duality of emotions: good and bad, light and dark” across ten songs and a story full of demons and junk yards. The tale it tells may be fantastical, pulling fans through oil-smudged cities and glistening opaline clouds towards a climax in a beat-up transit truck, but it’s a universe built on real-life heartache – not so much a demon fire, but a brutal, beautiful inferno.
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