The new reality in unscripted TV is that the “reality genre” is no longer the driving force of the unscripted TV business. Whether on streaming services or linear cable networks, the move towards an eclectic range of programming under the heading of “non-fiction” is both exciting and daunting for producers. What's the new face of unscripted TV in terms of storytelling and how can producers effectively develop and sell unscripted projects to buyers who have constantly evolving network mandates?

[Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.]