Creating and budgeting for music in film and television has changed radically from just a few years ago. Tectonic shifts in business models raise more questions than answers. Budgets and deadlines are tighter; and exhibition windows are shorter. What are some of the questions you need to ask, and how do you find answers to keep up with the wave of change? How do both artists and producers get the most value for the music that enhances their big and small screen projects?