Y La Bamba
It’s easy to talk about an artist’s growth as a series of musical decisions: an expanding sonic palette, a change in mood or tempo, an escape from the trappings of genre. It’s harder to talk about an artist’s personal—or even spiritual—growth, because that kind of progress is hard to track. Until, that is, an album like Y La Bamba’s Ojos Del Solcomes along and screams of radical transformation on every level. The Portland act’s fourth offering is a sweeping, playful and vulnerable collection that’s ripe with both musical and personal discovery. From the intimate, contemplative verses of the Spanishlanguage title track to the revelations delivered over the loping beats of “Ostrich,” this is an album that’s painstakingly produced while remaining emotionally raw.
Throughout the collection, Y La Bamba frontwoman Luz Elena Mendoza returns to themes of searching and metamorphosis. On one level, this is born from the Y La Bamba frontwoman’s continuing exploration of her identity as Mexican woman. Both of Mendoza’s parents grew up in Mexico—Luz was born in San Francisco, then brought up in a strict Catholic household in Southern Oregon. She spent her childhood summers playing in the orchards of California's San Joaquin Valley with her cousins, and it was there that she soaked up the melodies and stories that were being told through traditional folk songs with threepart harmonies. These are sounds that remain a vital building block of the songs on Ojos Del Sol,an album which she says represents “a celebration of family and community.”
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