Jonathan Toubin who VICE Magazine calls "the only DJ we actually like" and Rolling Stone says is "the most liked man in the soul music scene," was just awarded 2015's "BEST DJ" in the 60th anniversary Village Voice "Best of NYC" issue. Toubin's New York Night Train parties are cut from hours of only the most exquisite original 45rpm vinyl singles from the 1950s and 1960s played on the beat and brought to life on dancefloors around the world. In over 2000 gigs in the last nine years, Toubin has gone where no contemporary rock and/or soul vinyl DJ has gone before - tirelessly hitting hundreds of nightclubs on five continents, major rock concerts (Jack White, LCD Soundsystem, etc), and dozens of major music festivals - everywhere from All Tomorrows Parties (five times) to Bonnaroo to Lincoln Center Midsummer Night's Swing. His Soul Clap and Dance-Off isn't only the world's most popular and prolific soul party, but his Friday n...
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Jonathan Toubin who VICE Magazine calls "the only DJ we actually like" and Rolling Stone says is "the most liked man in the soul music scene," was just awarded 2015's "BEST DJ" in the 60th anniversary Village Voice "Best of NYC" issue. Toubin's New York Night Train parties are cut from hours of only the most exquisite original 45rpm vinyl singles from the 1950s and 1960s played on the beat and brought to life on dancefloors around the world. In over 2000 gigs in the last nine years, Toubin has gone where no contemporary rock and/or soul vinyl DJ has gone before - tirelessly hitting hundreds of nightclubs on five continents, major rock concerts (Jack White, LCD Soundsystem, etc), and dozens of major music festivals - everywhere from All Tomorrows Parties (five times) to Bonnaroo to Lincoln Center Midsummer Night's Swing. His Soul Clap and Dance-Off isn't only the world's most popular and prolific soul party, but his Friday night Shakin' All Over Under Sideways Down is NYC's longest running weekly rock'n'roll dance (over eight years). Toubin is the first 45 DJ with Burger Records cassettes and the first living DJ with compilations on the legendary Norton Records - with four "Souvenirs of the Soul Clap" LPs released internationally last year. Juxtaposing raw, wild, and uncommon original 45rpm sides by unsung artists for today's dance floor, Jonathan Toubin and his NY Night Train party machine's slow steady nightly work has carved out a unique space in contemporary culture and influenced scores of DJs and parties everywhere.
"Few people recognize the roaring, crackling songs; even fewer can really dance the blues. It doesn’t matter. The evening’s not about proving you know the most obscure records or looking good; it’s about some kind of soul-shaking alchemy. Before you know it, it’s the opening scene of “Dirty Dancing,” all swerving hips and bare shoulders—you would’ve sworn you’d be the last to dance, but there you are, breathless.... Spellbound bodies slip into the song’s shuffling rhythm, and Toubin reaches for the next bit of black magic." (The New Yorker, 2016)
"We might live in an EDM world, but Jonathan Toubin has no truck with today's musical whims. Since 2007, Toubin's Soul Clap and Dance-Off has brought throwback pizzazz and retro cool to New York's late-night underground. Culled from an endless array of long-forgotten Sixties soul singles, Soul Clap is pure musical dynamite, the kind of after-hours party that exposes today's iTunes-bred, press-play DJs for their relative lack of roots and ingenuity. No fist-bumps or atomic bass drops here; instead, Toubin lovingly crafts five-hour sets that bring lost chestnuts from the likes of Vernon Harrell and the Blendells into clearer focus for a new generation of dance enthusiasts. You can try to put your moves to better use, but you'll be hard-pressed to find more cathartic, sweatier fun elsewhere in the city."(2015's "BEST DJ", the VILLAGE VOICE 60th anniversary BEST OF NYC)
Jonathan is pretty much the only DJ we actually like.” (VICE Magazine, 2014)
"Particularly chic... one of the most popular spinners in Williamsburg and the founder of the New York Night Train dance parties. His fare is already cleaner and more appreciative of American pop music history than much of the rest." (NY Times, 2013)
"The most-liked man in the soul music scene" (Rolling Stone, 2012)
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