Grace Mitchell
If one wanted to describe 18 year old Grace Mitchell in a nutshell one might say she’s a
post-Yeezus, highly aware pop disruptor with a lifelong reverence for Tori Amos and a
frenetic, fiery sound that raises a middle finger to the zeitgeist while possessing the
power to reshape it- but that’s just the beginning.
“We’re always trying to innovate and make pop music sound fresh,” she declares. “It’s
never standard or formulaic. It’s experimental, and I’m telling stories.”
In order to properly convey that style, the Oregon native locked herself in a Los Angeles
studio with Mark Foster of Foster The People back in 2014. When they emerged, she
came armed with an explosive sonic concoction that’s as danceable as it is deadly.
“What I hear naturally and what he hears naturally are two very different things, but they
complement each other,” she goes on. “The more time we spent ...
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Grace Mitchell
If one wanted to describe 18 year old Grace Mitchell in a nutshell one might say she’s a
post-Yeezus, highly aware pop disruptor with a lifelong reverence for Tori Amos and a
frenetic, fiery sound that raises a middle finger to the zeitgeist while possessing the
power to reshape it- but that’s just the beginning.
“We’re always trying to innovate and make pop music sound fresh,” she declares. “It’s
never standard or formulaic. It’s experimental, and I’m telling stories.”
In order to properly convey that style, the Oregon native locked herself in a Los Angeles
studio with Mark Foster of Foster The People back in 2014. When they emerged, she
came armed with an explosive sonic concoction that’s as danceable as it is deadly.
“What I hear naturally and what he hears naturally are two very different things, but they
complement each other,” she goes on. “The more time we spent together, we identified
something very articulable. It’s more creative, but still poppy and at a really fast tempo.”
On her 2015 Race Day EP, the schizophrenic slap of “Jitter” shifts from a skittering
vocal sample into an eerily catchy harmony and funked-up break with lines like, “We
don’t care if you can see, everyone’s jittering.” Over a hyper kinetic backdrop, Grace
weaves together a different kind of take on that “high school party set piece” from your
“We originally wanted to make it a ballad,” she admits. “Then, it just got faster and faster
with that vocal sample. We decided to make it about that idealist young adult party
situation. However, it’s high energy, reckless, promiscuous, and provocative. It’s a good
indication of what I’m doing.”
(There was another character from the Pacific Northwest who sang about teenage
disillusionment like this say 25 years ago or so, and it worked out for him…just saying!)
Elsewhere, “Breaking Hearts and Taking Names” is what she dubs, “a classic party
song, but more empowering and thought-provoking.” Then, there’s the title track, which
nods to her hometown of Eugene, OR nicknamed “TrackTown USA.”
Signed to Republic Records in 2013, Grace officially entered the race with her cover of
“Maneater,” which appeared on the soundtrack to the critically acclaimed The Secret
Life of Walter Mitty. Her debut EP, Design, got the blogs buzzing in 2014 with tracks like
the single “Broken Over You.”
Ultimately, you’re going to have a lot to say about Grace once Race Day drops. “With
this EP, I’d like for people to be able to relate to the music in a direct way or even on a
more subconscious manner,” she leaves off. “These are my observations of what I’m
seeing. You can take the stories or the ‘fuck you’ from it.”
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