Nina Musolino
Nina Musolino is a manager at Page 1 Management, based in Nashville. She started her career at Red Light Management, while simultaneously finishing school at Belmont University. She handled day-to-day work for artists such as BONES UK, Zella Day, Rayland Baxter, and Sure Sure. During this time, she assisted with the release of BONES UK’s debut album, which received a Grammy nomination for Best Rock Performance in 2020. Her love for songwriting then led her into publishing at Fourward Music where she looked after the Nashville roster consisting of Carrie K, Mike Robinson, Hastings, Abby Anderson and Andrew Stoelzing. All of which prepared her for her time at Page 1, where she is currently building her own management roster. Her clients include hip-hop/rock producer David Kerckhoff, pop/country songwriter Isabella Kearney-Nurse, R&B/Rock artist Sayak Das, and pop/country producer and songwriter Evan Cline. She is focused on expanding the Nashville office and bringing more opportunities to her clients not only in town, but globally.
Outside of management, she co-founded House of Song, an organization that creates opportunities for non-country artists and creatives in a predominantly “country music focused” city. The goal is to seek community, put on live events, network, and support local creatives. House of Song partnered with Affinity Entertainment for a live show series called “Headliners”. A night that not only highlights the artists that are headlining the new-age music city movement, but also the writer's, companies, and creators that help support the aforementioned artists. Headliners is a night built to engage creatives across the city and ignite organic conversation through live-music performances. The show functions as a staple nashville-based series that hosts countless notable artists. It could be the place you discover your next favorite artist, make that business connection you've been hoping for, or find your next closest friend.
Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.