Featured Session: Music Psychology for Record Makers

Date TBA

Record makers manipulate performances and sounds to craft a product most likely to sell. What are they listening for? How do they know what will work? Record production involves a tacit awareness of what listeners respond to but are these assumptions supported by science? We will examine popular record making at the intersection of music psychology, psychoacoustics, the producer/engineer’s perspective, and the audience’s. We will take a closer look at why classical and heavy metal music lovers have surprisingly similar personality profiles. We will look at music audiences’ assorted criteria for what constitutes “good” as well as the mechanisms that cause us to feel emotions (or not!) to music. We will consider why record producers and artists should target specific audiences over the arc of their careers. We will include a discussion of the musicianship of listening and how professional listeners complete the transaction that is music.

Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.

photo of Susan Rogers
Susan Rogers

Berklee College of Music

Primary Access
Music Badge
Platinum Badge
Artist Wristband
Secondary Access
Film Badge
Interactive Badge