Supervising Sound Editor Andy Hay and Sound Designer Jeff Pitts discuss how filmmakers can tell their story sonically in the most impactful way - from capturing sounds during pre-production, to editing and mixing in post, to navigating the current landscape of deliverables, ensuring your film sounds incredible whether the viewer sees it in a theater or streams it online. Hay and Pitts have worked with SXSW filmmakers Adam Wingard (Death Note) and Sean Baker (The Florida Project), among others.

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