Searing Sound: From Pre-to-Post Production
This session requires RSVP, and access will only be available to badge types listed under "Primary Access."
Supervising Sound Editor Andy Hay and Sound Designer Jeff Pitts discuss how filmmakers can tell their story sonically in the most impactful way - from capturing sounds during pre-production, to editing and mixing in post, to navigating the current landscape of deliverables, ensuring your film sounds incredible whether the viewer sees it in a theater or streams it online. Hay and Pitts have worked with SXSW filmmakers Adam Wingard (Death Note) and Sean Baker (The Florida Project), among others.
[Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.]
Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.