How to Get the Best Music for Your Project
Original film score or licensed music? From hiring a composer or Music Supervisor to clearing your music & music related residuals, we will answer real world questions & explain how to stick to your critically important post-production budget. What does it REALLY cost to get good music & who do I owe once distribution starts? Too many producers don't think about music for their project until there is no time OR $$ left. We'll help you avoid costly mistakes & explain common traps for every budget
[Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.]
Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.
Dennis Dreith
Magic Closet Music
Tim Maginnis
ASCAP
Kim Roberts-Hedgpeth
Film Musicians Secondary Markets Fund
David Wingo
DavidWingo.com