Come inside; sit back, as we listen to TIME TRIAL director Finlay Pretsell and Baltimore composer Dan Deacon explore the benefits and setbacks when composing an original score for documentary. How can working with an experimental musician improve a film's cinematic experience, and how can you balance sound design, music, and visual narrative? An artists' conversation about scoring non-traditional projects, and how to collaborate across the Atlantic.

[Programming descriptions are generated by participants and do not necessarily reflect the opinions of SXSW.]