NOFX formed in Los Angeles back in 1983, a helluva year for new bands and one that gave birth to Alcatrazz, Trixter, White Lion, and any number of bands that are completely defunct and irrelevant in this day and age. That alone says something about NOFX’s enduring popularity. Maybe they lasted this long because they were forged in the same fiery furnaces of the L.A. hardcore scene that gave us Bad Religion, Suicidal Tendencies, Germs and Descendents. NOFXsharpened their teeth in that tumultuous talent pool until they joined forces with Epitaph in 1989 and went on to release a string of crucial punk records. Their first major breakthrough came in the form of 1990’s Ribbed, still a fan favorite, followed up by now-classics White Trash, Two Heebs and a Bean and Punk in Drublic, the latter selling well over a million copies. That was a wildly successful decade for NOFX as the band popularized the Warped Tour and was the flagshi...
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NOFX formed in Los Angeles back in 1983, a helluva year for new bands and one that gave birth to Alcatrazz, Trixter, White Lion, and any number of bands that are completely defunct and irrelevant in this day and age. That alone says something about NOFX’s enduring popularity. Maybe they lasted this long because they were forged in the same fiery furnaces of the L.A. hardcore scene that gave us Bad Religion, Suicidal Tendencies, Germs and Descendents. NOFXsharpened their teeth in that tumultuous talent pool until they joined forces with Epitaph in 1989 and went on to release a string of crucial punk records. Their first major breakthrough came in the form of 1990’s Ribbed, still a fan favorite, followed up by now-classics White Trash, Two Heebs and a Bean and Punk in Drublic, the latter selling well over a million copies. That was a wildly successful decade for NOFX as the band popularized the Warped Tour and was the flagship band for the skate/surf/snow culture of the 1990’s.
Now on Fat Mike’s own label, Fat Wreck Chords, their third decade was even more fruitful, which again speaks to NOFX‘s indomitable longevity. The band’s decade-long ban on doing the mainstream press and media was lifted as they sought to actively share their dissent for the Bush Administration and speak out against the invasion of Iraq. And once the floodgates were open, NOFX and their “Rock Against Bush” movement were everywhere: Newsweek, Rolling Stone, New York Times, Howard Stern, and network television. All that high profile interest and hype was reflected in the success of their 2003 record, The War on Errorism, which was the #1 independent record in the country at the time if its release and topped Billboard’s Indie chart. The NOFX full-length, Self Entitled, released on September 11th, 2012 is their 12th studio record. A return to their aggressive roots, the 12 tracks embrace the hostile early LA punk sound while maintaining the trademark technical and melodic sound that NOFX is renowned for. The band then released a couple 7"’s including Xmas has been X’ed andStoke Extinguisher all while filming the follow up to their beloved series, Backstage Passport.
Out April 12, 2016-NOFX: The Hepatitis Bathtub and Other Stories is the first tell-all autobiography from one of the world’s most influential and controversial punk bands. Alongside hilarious anecdotes about pranks and drunkenness and teenage failures—featuring the trademark NOFX sense of humor—the book also shares the ugliness and horror the band members experienced on the road to becoming DIY millionaires. Fans and non-fans alike will be shocked by the stories of murder, suicide, addiction, counterfeiting, riots, bondage, terminal illness, the Yakuza, and pee…lots and lots of pee. Told by each of the band members (and two former members), NOFX looks back at more than thirty years of comedy, tragedy, and completely inexplicable success.
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