Prior to establishing his own law firm in 2011, Brad practiced law for over 7 years in the entertainment department at Loeb & Loeb, LLP. Prior to joining Loeb, Brad was a Business Affairs executive at Universal Music from 1999 to 2004. Brad began his legal career in 1997 in the business affairs department at PolyGram.

Brad’s current practice focuses on the representation of creative entrepreneurs in the entertainment, music and media industries. Such clients include established and developing film and television composers, songwriters, recording artists, writers, directors, graphic artists, authors, record labels and music publishing companies.

Brad has considerable experience in advising entrepreneurs and financial institutions in the entertainment and media industries with respect to licensing of intellectual property, strategic planning as well as financing transactions in the media and music industries.

For exactly a decade now, Seattle- and Los Angeles-based record label Light in the Attic has specialized in a particular kind of music geek’s dream come true. The imprint, founded by Matt Sullivan, signs the occasional new artist, but that’s far from its focus. Instead, Sullivan and his team excavate old, forgotten vintage nuggets that, more often enough, went unnoticed flops in their time.

Light in the Attic then lovingly reissues these unsung gems, complete with remastered tapes, limited-edition cover art and packaging (for the physical releases), and new liner notes, often with updated commentary from the artists themselves. There aren’t any stylistic rules, either. A release could be soul, funk, rock, folk, jazz, or whatever, but something all the records hold in common is a particular quality of sounding before their time.