Blogging, tweeting, and tumbling about movies for over a decade now (GreenCine, IFC, The Auteurs/MUBI), David is the editor of Keyframe Daily for Fandor.

Robert Koehler is a Los Angeles-based film critic, programmer and North American manager for the film sales and distribution company, FiGa Films. His film criticism can be read at Cinema Scope magazine, cinema-scope.com, Cineaste magazine, Indiewire.com, Film Comment magazine, filmcomment.com, Artsmeme.com, Sight & Sound and Filmjourney.org. His blog column analyzing film festivals, “Festival Circus,” can be read at Indiewire.com. His film criticism has previously appeared in Variety, The Christian Science Monitor, Cahiers du Cinema (France and Spain), L’Espresso and Die Tagezeitung, and has been translated into many languages. He has served as Director of Cinematheque Programming at the Film Society of Lincoln Center and Director of Programming at AFI Fest Los Angeles. As partner in Festworks, Koehler has served as programming consultant to several American festivals, including the Santa Fe Film Festival. He was instructor/programmer for UCLA Extension’s Sneak Preview program from 2003-2007. In 2003, he developed the successful, innovative film program, “The Films That Got Away,” an ongoing series presenting significant recent work that has previously not screened in Los Angeles. Institutions with which the series has collaborated include UCLA Film Archive, the American Cinematheque and the Los Angeles Film Festival. In 2009, he was appointed director of programming at AFI Fest Los Angeles, where he helped create a new and focused competition section titled “New Lights,” as part of AFI Fest’s programming concept as a festival-of-festivals. A graduate of UCLA, Koehler was a theater critic for the LA Weekly and Los Angeles Times during the 1980s and 1990s. He is a member of the Los Angeles Film Critics Association and FIPRESCI, the International Federation of Film Critics, and has served on festival juries in Cannes, Berlin, Locarno, Rotterdam, Vancouver, Buenos Aires, Indie Lisboa, Copenhagen, Riviera Maya, Montreal, FICCO, Guadalajara, FICUNAM, Santiago, Palm Springs, Bermuda and Miami. Among his published work are chapters in the books “Cine Argentino 1999-2009,” “On Film Festivals” from Wildflower Press, “American Comedy,” published by the San Sebastian Film Festival and “10 Years with New Danish Screen,” published by New Danish Screen/Danish Film Institute.