Much of the sequence is reminiscent of the Blade Runner world in the two features and the series. But some elements, such as the eye scanner, are exaggerated presentations of imagery new to the series. There are also portions that are unique to the sequence itself. We reduced the neon-soaked palette of the show to a strong three-color scheme to set the title sequence apart but anchor it in the Blade Runner world. We also literally turn the cityscape upside down at first, which is unique to the sequence. Then, we drift along the skyline of 700-story buildings and watch spinners race between them to set the tone for this familiar-yet-unique animated show.