David Fabelo's work as both a narrative and documentary editor has screened at festivals internationally - including Cannes, Sundance, Toronto, SXSW and LAFF. He has twice been invited to the Sundance Documentary Edit and Story Lab as an assistant editing fellow. Narrative credits include Good Night, Fourplay, An Ordinary Family and The Overbrook Brothers. Recent documentary credits include Sir Doug and the Genuine Texas Cosmic Groove and Bright Shadow: A Film About Ana Egge. He has served as post-production supervisor on several features including Bryan Poyser's Love & Air Sex as well as Rick Alverson’s Entertainment. He has collaborated with Austin based production companies such as Arts + Labor, Invodo and Revelator on numerous commercials & brand documentaries. David is also the director of two award-winning short films: "Test Day" and "Do Over."

Leah Marino makes her home in Austin, TX where she has been editing documentary films for 20 years. She most recently edited Southwest of Salem: The Story of the San Antonio Four about four young women who languished for 15 years in prison wrongly accused of sex crimes that attorneys and advocates believe never happened. She also edited Robert Byington’s 7 Chinese Brothers, starring Jason Schwartzman, her first venture into fiction film editing that premiered at SXSW 2015. Marino edited, Above All Else, about one man’s struggle against the Keystone XL pipeline, which premiered at SXSW 2014 and won Best North American documentary at Global Visions Festival in Alberta, Canada. Previously she completed Ramona Diaz’s Don’t Stop Believin’: Everyman’s Journey, her third collaboration with Diaz, which premiered at Tribeca Film Festival and won the Independent Lens Audience Award. Previous editing projects with Diaz have been shown in festivals and won awards around the world, including The Learning, a story of Filipino teachers recruited to work in inner city Baltimore and Imelda, about the notorious dictator’s wife (premiered Sundance, 2004). Marino also completed Bradley Beesley’s The Creek Runs Red, which aired on Independent Lens in 2007. Her work includes projects about racecar drivers, super fund sites, revolutions and civil rights movements. She enjoys helping each film to realize it’s unique story and purpose in the larger world. She received a filmmaking degree from Boston University in 1992.