Self-Releasing for Success
Historically, the self-release has been the last bastion of the unsigned artist. You shop your demos around to labels and don’t get any bites, so you bite the bullet yourself and foot the bill, just to get the thing out there. But in the last 10 years, as the industry has been reformed time and time again, things have changed. For artists large and small, and at every stage of their careers, self-releasing is more than just a viable alternative to a label deal, it’s a much better option. We’ll discuss the pros and cons of self-releasing, strategies for a successful self-release, and prognosticate on the future of artist-owned recordings in the music industry of tomorrow.
Presenters
Ben Hubbird
Digital Mktg & Label Rel
CD Baby
Ben Hubbird is a native Oregonian and lifelong musician. In 2008 he walked away from a career in community organizing and took a job at CD Baby where he is now in charge of Digital Promotions and L...
Show the restRachel Cragg
Dir of A&R & Artist Mgmt
Nettwerk Music Group
Benji Rogers
Pres & Founder
PledgeMusic
Benji Rogers is an independent musician from London, England who has been making his own records since 1999. He’s lived in New York, Los Angeles and Boston and though always a musician, he has also...
Show the restAndrew Jervis
Chief Curator
Bandcamp
Andrew Jervis hosts the Bandcamp Weekly show, co-ordinates all the homepage editorial, and works with labels and artists to help make maximize their sales and exposure.