Interactive: March 7–11  •  Film: March 7–15  •  Music: March 11–16

Music Curation On A Global Scale

Music curation demands a global approach. What can we learn from international success stories? For example, museum music events such as Kraftwerk at the Tate Modern, the programming at the Barbican, and the fact that streaming has led to profit for Scandinavian major labels? How does both government and business sponsorship enable and impact programming?

Presenters

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MODERATOR

Mark Kates

Founder

Fenway Recordings





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Katie Schlosser

Dir, Label Rel North America

Spotify





Huston Powell

Promoter

C3 Presents

Danny Rogers

Dir

St Jeromes Laneway Festival

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